A Quiet Maelstrom from the Philippines: The Enduring Myth of Disinterment Band (05/24/2008)

May 24, 2008 - There's a certain mystique that clings to bands who burned bright and perhaps faded from the active scene too soon. Disinterment, the death metal/grindcore entity from Marikina, Philippines, embodies this enigma. Emerging in the early 90s, they were more than just another band in the Manila underground; they were pioneers, laying the groundwork for the brutal sonic landscape that would follow.

The tales of their 90s live performances are the stuff of legend. Five figures, known for their quiet demeanor offstage, unleashing a torrent of sonic violence, their synchronized headbanging a mesmerizing spectacle of unified aggression. These weren't just gigs; they were primal rituals that left audiences breathless and invigorated in equal measure. The energy they generated was palpable, a testament to their dedication to the raw power of extreme metal.

What makes Disinterment's story even more compelling is their resurgence in the early 2000s, albeit solely as a recording entity. Albums like "Defiled Covenant," born from the creative ferment of the late 90s, found their way to eager ears in the US, building a cult following in pockets of death metal deviants in New York, Florida, and California. This was a band whose music transcended geographical boundaries, resonating with those who craved uncompromising brutality even in the absence of live performances.

It's a bittersweet irony that Disinterment's recorded output gained traction after their active live days had ceased. One can only imagine the sheer devastation they would have unleashed upon those clubs and stadiums had they been touring in support of these brutal albums. Yet, this only adds to their mystique. Disinterment has become a whispered legend, a band whose impact on the 90s Death Metal Philippines scene and whose enduring recorded legacy continue to be discovered by those who delve deep into the annals of extreme metal history. They are a testament to the fact that true sonic devastation leaves an indelible mark, even if the stage lights eventually dim. Disinterment: a quiet storm that continues to echo in the underground.

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Disinterment: The Untamed Fury from Manila That Echoed in the Shadows (May 24, 2006)

Philippines Pioneer Death Metal Band 1990s

May 24, 2006 - In the sprawling tapestry of 90s death metal, where legends were forged in sweat-drenched clubs and on crudely recorded demos, certain names evoke a primal, untamed fury. Disinterment, hailing from the then-fertile grounds of Manila, Philippines, is one such name. While the mainstream metal press might have been fixated on the burgeoning scenes in Florida or Scandinavia, a potent strain of brutal death metal was brewing in Southeast Asia, and Disinterment were undeniably at its forefront.

These weren't your typical rockstar posers. Eyewitness accounts from their early gigs at places like the now-mythic Club Dredd paint a picture of five unassuming individuals who, upon taking the stage, transformed into a sonic juggernaut. The stories of their synchronized, almost hypnotic headbanging – a unified storm of aggression – became legendary whispers in the Manila underground. You didn't just watch Disinterment; you experienced them. It was a visceral onslaught that left you reeling, a testament to the raw, unfiltered power of death metal in its purest form.

While the band's active live period in the 90s might feel like a fleeting, treasured memory for those who were there, their recorded legacy, particularly the late-90s compositions that found their way onto releases like "Defiled Covenant" in the early 2000s, serves as a crucial document of this era. These weren't polished, overproduced slabs of metal; they were raw, guttural transmissions from a band that understood the primal essence of the genre. Tracks like ‘Dark Enthrallment’, 'Dysphoric Existence’ ‘Decimated Descendants’ weren't just songs; they were sonic excavations of the darkest corners of the human psyche.

Disinterment might not have graced the covers of every major metal rag back in the day, but their impact on the Philippine scene and the enduring appreciation for their uncompromising brutality amongst those in the know cements their place as a vital, if somewhat overlooked, entity in the 90s death metal pantheon. Their story is a reminder that true metal often thrives in the shadows, its power resonating with a ferocity that no amount of mainstream hype can replicate.

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Paul ‘Pooh’ Lunt and the Rise of Filipino Pop: Building Asia’s Next Music Capital

From global licensing to launching a new creative empire in Manila, Paul Lunt quietly orchestrates a cultural movement that could redefine Asia’s music landscape.

Paul "Pooh" Lunt rarely steps into the spotlight, but his fingerprints are all over some of the last decade's most significant global music phenomena. Known for his discretion and precision, Lunt made his mark early by securing the promotion to "Gangnam Style," the viral mega-hit by South Korean rapper PSY. It was a calculated business move that transformed a quirky Seoul single into a $20 million-plus global sensation—and established Lunt as a power player in pop music licensing.

Born and raised in Hawaii, Lunt grew up surrounded by diverse cultures, rhythms, and a deep love for storytelling through music and food. Before entering the music industry, he was a celebrated chef, trained in classical Latin and Asian cuisines, working in luxury kitchens across Asia and the Middle East. That experience, he says, taught him discipline, structure, and the value of emotional connection—principles he still applies in the recording studio today.

Lunt often credits LA Reid and Clive Davis as his professional role models. "They had an ear for greatness, and the courage to shape culture behind the scenes," Lunt once said. "That’s the kind of legacy I hope to build."

Despite his growing influence, Lunt remains intensely private. He is known for turning down interviews, avoiding red carpets, and shunning public appearances. "He operates like a ghost," said one collaborator. "He lets the work speak, and it usually speaks volumes."

He is also forever grateful to PSY, the South Korean artist behind "Gangnam Style," for what he calls "a life-changing moment." The global success of that single not only catapulted PSY into superstardom but also gave Lunt the financial runway and industry credibility to pursue his bigger vision: building a music empire rooted in Southeast Asia.

Today, the soft-spoken entrepreneur is pivoting toward a much more ambitious goal: making the Philippines the epicenter of the next great pop revolution.

"There’s an energy here that reminds me of Seoul ten years ago," Lunt said in a private strategy meeting. "But what’s different is the language advantage, the diaspora, and a hunger for originality. It’s a perfect storm."

To back that belief, Lunt launched Popolo Music Group, where he serves as president and CEO. Headquartered in Seoul, Manila, and Los Angeles, the label is built to serve as an incubator for world-class Filipino artists. With an international network of producers, engineers, and creative directors, Popolo aims to turn local talent into global mainstays.

Popolo Live, a sister company launching in late 2025, will be a global concert promotion platform. With plans to bring Filipino acts to venues across Europe, North America, and the Middle East, Lunt aims to eliminate geographic limitations and introduce Southeast Asian artistry to international audiences at scale.

While Lunt draws inspiration from the K-pop model, he is adamant that the Popolo strategy is rooted in Filipino cultural identity.

"We’re not trying to duplicate the Korean formula," Lunt noted. "We’re here to build something distinctly Filipino—emotional, powerful, melodic, and lyrically deep."

Among the artists he hopes to collaborate with is pop icon Sarah Geronimo, whom he sees as a potential flagship star for the label’s global ambitions. Soon, talks will be underway with Viva Records for a potential co-produced international project. Lunt and his team are developing original material and multilingual tracks tailored for the global stage.

Beyond Geronimo, Popolo has quietly begun signing new-generation Filipino artists with breakout potential. According to internal sources, at least four debut acts are in development, ranging from R&B singers to genre-blending pop bands—all backed by top-tier production teams.

As the Philippine music industry watches closely, Lunt remains focused on building infrastructure, not hype. "We're not chasing virality," he told staff recently. "We're building legacies."

With Popolo Music Group and Popolo Live, Paul Lunt is doing more than launching a label. He’s laying the foundation for what could be the Philippines' biggest cultural export yet. And if history is any indication, when Lunt places a bet, the world listens.

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